Event booking
TryBooking vs Bix HQ: how similar are they, really?
On paper, TryBooking and Bix HQ look almost identical - same features, same price, no subscription. We look at where the two actually differ once you start using them.

On paper? They're close. Genuinely close.
Both are free to use. Neither has a subscription, tiers, or features locked behind an upgrade. Both let you run free events for nothing. Both do tickets, seat maps, check-in, fundraising and embeds. And on a paid ticket, Bix is only marginally cheaper.
So if you're comparing a feature list, you're going to come away thinking it's a coin toss.
The differences are real - they're just not on the list. They show up on the third evening of setting up next term's program, and on the phone of a parent trying to book from a school newsletter at 9pm.
What's genuinely the same
Worth being clear about this, because a lot of comparison pages aren't.
No subscription on either platform. Both include every feature from day one. Neither one sells you an upgrade to unlock seat maps or reminders.
Free events are free on both. No charge to you, no charge to your attendees.
Both handle the core well. Ticket types, discount codes, attendee data, QR check-in, donations, a widget for your own website. Neither platform is missing anything fundamental.
The fees are similar. TryBooking is 2.5% + 50c per ticket. Bix HQ is 2.4% + 50c. That's a difference you'd need a big event to even notice.
If a feature list is what you're deciding on, stop here - either will do the job.
But every ticketing platform has two faces: the one you use, and the one your attendees use. Feature lists describe neither. That's where TryBooking and Bix HQ stop looking alike.
What setup actually feels like
Building a seat map. On TryBooking, a venue seating plan is a file - a .venue file, specific to their system. Their own guidance is to build it as a venue template before you create the event, and to check with their team first in case they already have your venue on file and can send it to you.
That's a workflow. It works, and for a theatre that runs the same layout every season it's a sensible one.
On Bix HQ, you open the map builder, drag a row onto the canvas, curve it with a slider, rotate it, and keep going. No file format, no template step to do first, no email to send. Ten minutes and your hall is on screen. Save it to your account and it's there next time.
Setting up a program. If you run a school holiday program, a weekly class, or a term of coaching sessions, this is the difference that shows up hardest.
The usual approach is to build each session, one at a time, and repeat until you're done. Twenty sessions is twenty passes through the same screens.
On Bix HQ, you set your dates, your time slots and your capacity once. Bix HQ generates every session from that, and handles the bookings across all of them. One pass, not twenty.
What your attendees actually see
Most of your bookings will come from a phone. A parent tapping a link in a newsletter, a member opening an Instagram story, someone forwarding a message to their partner in the car.
That checkout is your conversion rate. It's the only part of the platform your audience ever touches, and it's the part that decides whether they finish booking or leave it for later and forget.
Bix HQ is built for that first. Event pages that look right on a phone before they look right on a desktop. A checkout designed to be completed one-handed. No account for the buyer to create. Tickets that land straight in the inbox and scan cleanly at the door on a volunteer's phone.
Setup is a different story - building a seat map or a full program on Bix HQ is desktop work, and deliberately so. Fiddly, precise work deserves a proper screen. Booking a ticket doesn't.
Fundraising that doesn't look like a form
Most platforms treat fundraising as ticketing with the ticket removed. You get a donation box, a total, and a page that looks like paperwork.
A donation isn't a transaction, though. Someone gives because they've been moved to - usually on a phone, usually in the thirty seconds after they've read why you're asking. The page has to carry that.
Bix HQ fundraising pages are built to. Your images, your story, your progress, laid out properly on a phone. Suggested amounts, one-tap giving, no account to create, receipts sent automatically. It looks like your cause, not like our software.
Where TryBooking has the edge
An honest comparison cuts both ways, and there are places we'd point you to TryBooking without hesitation.
Complex allocated seating. TryBooking's seating tools go deep - seat holds behind a password for members and VIPs, reserved groups, stalls and circles, doors printed on tickets. If you run a theatre season with a hold list, they've built for you specifically.
Selling at the door. Their Box Office app takes card and cash on site, for tickets, merchandise, food and drinks. If a big part of your revenue happens on the day at a table by the entrance, that's a genuine advantage.
If those describe your event, TryBooking has more than earned its place.
And no, it doesn't cost more
Better-designed software usually carries a premium. This one doesn't.
Bix HQ is 2.4% + 50c per ticket, against TryBooking's 2.5% + 50c. Marginally cheaper, and no subscription on either side.
There's one more difference worth knowing, and it's about your money rather than your software. TryBooking holds your ticket revenue in a balance - you request a transfer, it's reviewed, and their own advice is to hold off until after the event has run. Bix HQ runs on Stripe, so your money goes to your own account as tickets sell. If you've got a venue deposit or a caterer to pay before the doors open, that changes what you can actually do.
The bottom line
TryBooking and Bix HQ really are similar - on paper. Same features, similar price, same promise of no subscription.
The gap is in the doing. How long your setup takes. What your attendees meet on their phone. When your money turns up.
If you run allocated-seating theatre with a hold list, or you sell hard at the door on the day, TryBooking is a strong choice and we'd say so.
If you run programs, classes, community events or school nights - and your audience books from a phone - it's worth twenty minutes to see the difference for yourself.
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